Objectification

The Power of Language in Human-Animal Relationships

Armine Mkrtchyan

Language is not merely a tool for communication but a fundamental factor that shapes our understanding of the world around us. The words we use when speaking about our surroundings, the symbols we attach to them, and then the meanings we impart play a profound role in sculpting our perceptions. This intricate process of assigning meaning extends notably to our interactions with non-human animals where the language we use plays a significant role in how we perceive, categorize, and consequently treat them. Whether in scientific settings, on farms, or in casual conversations, our choice of language can either humanize or devalue these creatures. It is a complex procedure that bears more weight than many realize. Through the lens of symbolic interactionism, specific linguistic categorizations, and inherent anthropocentric biases, it is clear how language shapes the views of non-human animals and reinforces human superiority within societal hierarchies, ultimately leading to their exploitation. It becomes evident that language is not just a conduit for casual expression but a driving force that molds our views and actions towards the non-human inhabitants of our shared world.

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Symbolic interactionism explores the idea that symbols are used to represent the world, all in order to make sense of it (Arluke and Sanders, 1996, p. 9). These symbols are not inherently fixed but are rather subjective, influenced by an individual’s cultural, racial, and experiential background. Despite their subjective nature, these symbols are often collectively agreed upon within specific cultures or societies, shaping a shared understanding of meanings and representations. This is the core idea of E.O. Wilson’s biophilia which highlights the influence of culture on our relationship with the world around us (Herzog, 2010, p. 30). Ochs and Schieffelin’s perspective on socialization adds another layer to the understanding of how our attitudes and behaviors are shaped. They argue that, through the process of language acquisition, individuals also learn cultural meanings and become socialized into a competent member of society (Ochs and Schieffelin, 1984). It is through such a process that we can explain how and why we act in certain ways toward certain things. Our actions and attitudes are driven by the meanings that we have assigned, which have been acquired through culture, but ultimately processed and altered individually.

The way that these meanings are passed around and shared in the first place is through shared symbols. One common symbolic system is language. The words that we assign to different ideas have the power to shape and/or create new meaning associations. Taking animals as an example, there are many metaphors and sayings that affect our perceptions. For example, “It is easier to order a pound of beef from the butcher than a pound of cow” (Herzog, 2010, p. 31). This juxtaposition starkly illustrates the different connotations associated with the two terms. The act of ordering a pound of cow conjures a distressing image, evoking the inhumane treatment and handling of a living being. On the other hand, ordering a pound of beef illustrates a mundane act of ordering food. This simple example demonstrates how words are not just neutral tools for communication. Instead, they are mirrors reflecting our attitudes and moral views.

Moreover, the context from which the terms originate is significant. Different contexts justify distinct language patterns when referring to animals. In biomedical research laboratories that use animals as test subjects, animals are often depersonalized, devoid of names to maintain a detached, clinical approach. This practice ensures that researchers do not form emotional attachments to the subjects of their experiments (Birke, 2007). Similarly, in the realm of factory farming, dehumanizing and objectifying terms are used to refer to animals, reducing them to mere commodities. As seen in the documentary titled Death on a Factory Farm, employees of the Wiles hog farm used degrading terms when speaking to or about the animals they were about to painfully slaughter, serving as a precursor to the violence that would soon ensue (Simon, 2009). In one incident, an employee labels one of the piglets as a “stupid little pig” moments before smashing its head against a wall to “let it bleed out” (Simon, 2009). In another instance, another employee says that he would like to, “shoot the motherfucker [because he hates] pigs” (Simon, 2009). Such derogatory terms are most often not used when speaking about household pets who have assumed the roles of family members. The specific words used to describe animals in these contexts can either evoke neutral, negative, or positive connotations, thereby shaping the societal attitudes and treatment of these beings accordingly.

By framing animals in language that carries negative connotations, an inherent anthropocentric view is constructed. “Anthropocentrism … refers to the related idea that humanity is and should be the measure of all things” (Noske, 2007, p. 78). In this perspective, humans tend to see themselves as separate from the rest of nature, often viewing other living beings and the environment primarily in relation to human interests and needs. This perspective prioritizes human desires, ambitions, and overall well-being above those of other species. Language use further reinforces this idea, perpetuating a social construct that legitimizes human dominance and control over non-human animals. In doing so, humans are unfairly placed at the top of the sociozoological scale by their own standards, relegating non-human animals to a lower status (Arluke and Sanders, 2010, p. 170). This hierarchy becomes evident in the terms and phrases commonly used, many of which carry subtle but profound negative connotations. Words and phrases like “vermin,” “pests,” or “beasts” can connote a sense of inferiority, portraying animals as nuisances or inferior creatures in comparison to humans.

By employing such demeaning language, there comes an inherent distancing or “othering” of these non-human animals, reinforcing the perception of them as entirely separate and less deserving of empathy or consideration. This process of “othering” involves the psychological, social, and linguistic mechanisms by which individuals or groups are marked as inherently different or “other” from the dominant societal group or norm. In the context of animals, this “othering” manifests in various ways, primarily through language and societal attitudes. When animals are labeled with derogatory terms or reduced to negative stereotypes, it consequently reinforces the perception that they are less deserving of moral consideration or ethical treatment. This linguistic distancing perpetuates a societal mindset that wrongfully justifies the exploitation and mistreatment of animals, as they are perceived as inferior or insignificant compared to superior humans.

As a further result of the “othering” of non-human animals comes the widespread abuse and exploitation of these creatures to fulfill human needs and desires. This distancing from animals creates a moral disconnection, allowing for their mistreatment without due consideration for their welfare. Animals are often objectified and reduced to mere commodities or resources, viewed primarily in terms of their utility to humans. This perception of animals as inherently inferior or devoid of significant moral consideration justifies their exploitation across various industries, including agriculture, entertainment, fashion, research, and more. Consequently, as seen in the film Earthlings, animals are subjected to confinement in factory farms, exploited in circuses and entertainment industries, used for their fur or skin in the fashion industry, and subjected to unethical experiments in laboratories (Monson, 2005). The process of “othering” not only justifies but also perpetuates these exploitative practices, creating a cycle where animals are marginalized, their suffering disregarded, and their rights dismissed in favor of human interests and convenience.

The “othering” of other beings solely based on their species, otherwise known as speciesism, is best understood in the context of a familiar concept: racism. Marjorie Spiegel draws an insightful comparison between racism and speciesism, identifying them as two ways of “othering” certain groups (Spiegel, 2007). Both racism and speciesism involve the judgment and discrimination of a group of animals based on perceived differences when compared with the presumed “superior” group. As such, a subjective hierarchical categorization unfolds. This classification leads to the justification of the discrimination, exploitation, and mistreatment of those deemed inferior based on arbitrary characteristics, whether that be race or species. In both ideas, the oppression of the “other” is damaging especially because there is no sound way to decide “who is better than whom” when looking through a strictly evolutionary lens (Spiegel, 2007, p. 238). This goes to show that the differences we have drawn between groups are completely fabricated. They have no sound reasoning behind them, except for made-up ways to put others down to elevate themselves. Consequently, the unwarranted utilization and exploitation of these marginalized groups, whether in industries like factory farming, fashion, or entertainment, stand as morally unwarranted actions.

Yet, the abuse and exploitation of animals continues. The reason for doing so serves one main purpose: to elevate the status of humans. Humans, who already regard themselves as the highest-ranking animals on the sociozoological scale, employ all means necessary to ensure that no other animal comes close to occupying this level (Arluke and Sanders, 2010). To do this, they put other animals down and make sure that they cannot pass them up. One way they do this is by belittling animals. Starting from degrading words such as “treacherous and cowardly” when speaking of dogs, this manifests itself in the lowering of animals’ worth through tangible actions (Spiegel, 2007, p. 235). As a result, animals are often marginalized and viewed as inferior, justifying their unfair treatment and abuse. This is evident in dog fights. In dog fights, dogs are abused to entertain a crowd and to, ideally, boost the ego of male dog owners (Evans et al., 2007). The dogs’ well-being is the last concern of the participants in this show. They can be thrown around, seriously injured, or even killed, but those issues are not weighed as important as the reputation of the dog owners amongst peers. Just this one example is strong enough to display the unfortunate carelessness of humans regarding animals, for the sake of their own status. All in all, it just shows that humans, as a whole, lack basic empathy and ethical consideration of non-human animals.

In stark contrast to the degrading language often used to describe animals, there are instances where language suggests a paradigm shift towards recognizing animals as deserving of empathy, respect, and consideration. One notable example is in the realm of pet ownership, where animals are often treated as beloved members of the family rather than mere possessions. Communities within the FluentPet project exemplify this shift in perception (Wilson, 2021). Here, pet lovers invest significant time and effort into teaching their animals to communicate using specialized soundboards. Each pet is given a name, treated as an individual with distinct preferences and personalities, and afforded the opportunity to express themselves in meaningful ways. In this way, these animals are not only regarded as companions but also as sentient beings capable of forming deep emotional bonds with their human counterparts. The language used within these communities reflects a view of animals as intelligent, deserving creatures with inherent worth. By acknowledging animals’ capacity for communication and understanding, these practices challenge traditional notions of superiority and domination, fostering a more compassionate relationship between humans and animals. Through language that elevates animals to the status of deserving individuals, we begin to reshape societal attitudes and behaviors, paving the way for more ethical treatment of all living beings. For instance, animals on farms may be treated with greater consideration and compassion, even in the processes leading to their death. Take for example Nuria, a cow who was given a name and afforded a more humane end (DW Documentary, 2023). By recognizing animals as deserving of dignity and respect, farmers may adopt practices that prioritize welfare, opting for methods of slaughter that minimize suffering. On this opposite end of the spectrum, language once more emerges as a significant shaper of perceptions.

Exploring patterns in language use toward animals makes it clear that the root of the problem comes from an anthropocentric perspective that employs specific language patterns to maintain a particular order. The meanings attached to the degrading language that is used when speaking or thinking about non-human animals open the doors to their further mistreatment. This language often carries negative connotations, depicting them as inferior or unworthy of empathy. Terms and expressions laden with derogatory or dehumanizing implications not only influence societal perceptions but also establish a framework that legitimizes the exploitation and disregard of these creatures’ well-being. Justifications for their use and abuse in various industries deeply take over. By embedding negative connotations into our language regarding animals, we inadvertently contribute to a mindset that rationalizes their mistreatment, reinforcing a cycle where their suffering is overlooked, their rights diminished, and their exploitation perpetuated, all for the greater purpose of elevating human status. Instances where this is not the case are, unfortunately, few and in between.

All in all, by examining these facets, this paper underscores the intricate relationship between language and human perceptions of animals, emphasizing the significant role of linguistic constructs. Language not only shapes our thoughts but also dictates the actions that come thereafter. Influenced so much by our thoughts and attitudes, our actions reflect the degrading perceptions we have of animals. With these in mind, the wrongful exploitation of animals unfolds with the accompanying wrongful justification of them. As a further consequence of their use and abuse, humans hold on tightly to the idea that their actions are warranted as a means of maintaining their high status on the sociozoological scale. Ultimately, these detrimental consequences stem from the immense power vested in language, underscoring its ability to shape societal attitudes and perpetuate unjust practices towards non-human animals.

References

Arluke, A. & Sanders, C.R. (1996). 9-18 in Regarding Animals (Animals, Culture and Society). Temple University Press.

Arluke, A. & Sanders, C.R. (2010) The Sociozoologic Scale. Regarding Animals (Animals, Culture and Society) (167-186). Temple University Press.

Birke, L. (2007). Into the Laboratory. In Kalof, L. & Fitzgerald, A. (Eds.), The Animals Reader (323-335). Berg Publishers.

DW Documentary. (2023). Factory farming, animal welfare and the future of modern agriculture [Video file]. Retrieved from: https://www.youtube.com/watch?v=6VOqNVt_cmM.

Evans, R., Kalich (Gauthier), D, & Forsyth, C.J. (2007). Dogfighting: Symbolic Expression and Validation of Masculinity. In Kalof, L. & Fitzgerald, A. (Eds.), The Animals Reader (209-218). Berg Publishers.

Herzog, H. (2010). Some We Love, Some We Hate, Some We Eat: Why It’s So Hard to Think Straight About Animals. New York, NY: Harper.

Monson, S. (Director). (2005). Earthlings [Film]. Nation Earth.

Noske, B. (2007). Speciesism, Anthropocentrism, and Non-Western Cultures. In Flynn, C.P. (Ed.). Social Creatures: A Human and Animal Studies Reader (77-87). Lantern Books.

Ochs, E. & Schieffelin, B. (1984). Language acquisition and socialization: Three developmental stories and their implications. In R. Shweder, & R. Levine (Eds.), Culture Theory: Essays on Mind, Self and Emotion (276-320). Cambridge University Press.

Simon, T. (Director). (2009). Death on a Factory Farm [Film]. HBO.

Spiegel, M. (2007). An Historical Understanding. In Flynn, C.P. (Ed.). Social Creatures: A Human and Animal Studies Reader (233-244). Lantern Books.

Wilson, L. (2021). From Clever Hans to Bunny the TikTok Dog: An Exploration into Animal-to-Human Communication. The Macksey Journal, 2(1).

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Beyond the Beat: Exploring Objectification in Rap and Country Lyrics

Riley Go, Ashley Lew, Ileen Luu, Ysabella Yuquimpo

“Don’t my baby look good in them blue jeans?” Rap music has been largely criticized for its objectification of women. Yet, why has country music not gained the same reputation? Known for being family-friendly, romantic, and inoffensive, “country music is often left out of sexual media analyses as it is traditionally thought to be less harmful than other genres of music” (Lin & Rasmussen, 2018). However, 2010s studies have exposed the phenomenon of “bro country,” in which country songs have become increasingly misogynistic and centered on attractive, young women in tight clothing and casual sex (Rasmussen & Densley, 2017). Since exposure to objectifying music can lead to harmful outcomes, such as the development of body image issues and eating disorders in adolescents (Flynn, 2016), our research aims to uncover the nuanced ways in which both rap and country music objectify women and perpetuate harmful gender stereotypes, and how they may do this in different ways.

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Introduction

Our focus is on the identities of male rappers and male country musicians, examining how they use lyrics to assert dominance over women and reinforce unequal power dynamics and how these patterns may change over time. Thus, our research question is: “How do the linguistic portrayals of women differ between songs by male rappers and male country musicians from the 1990s to now?”

We hypothesize that both genres contribute to the objectification, domestication, and degradation of women. While rap music is known for overtly promoting misogyny, we hypothesized that country music promotes misogyny in more covert ways (e.g. promoting female domesticity or a possessive attitude toward women).

Male rappers, often from marginalized urban areas, may objectify women and encourage a “player” lifestyle to assert dominance and reaffirm social status within their communities. Weitzer and Kubrin (2009) found that while women were portrayed as subordinate to men in most rock and country songs, rap was the most graphic in objectifying women, rarely depicting them as independent, trustworthy, or educated.

In addition, Adams and Fuller (2006) emphasize how misogynistic lyrics in rap are often at the expense of African American women, portraying them as “ not only something to be used sexually, but…also the recipient of degrading acts, disrespect, and violent behavior.” These portrayals, in turn, reinforce the American population’s negative stereotypes about African American women, and desensitizes them to the mistreatment and abuse of women as a whole (Adams & Fuller, 2006).

Male country musicians, often from rural, conservative areas, may depict women as subservient and dependent on men, to confine them within the patriarchal systems of their communities. Rasmussen and Densley (2017) examine the emergence of “bro country” in the 2010s, characterized by songs focusing on women in revealing clothing and referring to a woman using slang. Discovering that women in country songs in the 2010s were objectified more than in the past, they call attention to the negative progress toward female empowerment within the genre (Rasmussen & Densley, 2017).

Furthermore, Rogers (2013) highlights themes in country music that depict women in traditional gender roles, promote the idea that attractive women inherently have more value, and normalize coercive sexual behavior, suggesting that sexism in country music may be more dangerous when hidden within the lyrics.

Here is a YouTube video, entitled “Why Country Music Was Awful in 2013,” poking fun at the repetitive themes present in “bro country”: https://www.youtube.com/watch?v=WySgNm8qH-I

Methods

For our methodology, we utilized Billboard’s lists of top-grossing rap and country artists, and randomly selected a subset of musicians for analysis. Afterward, we drew from Billboard to identify a top song of each artist that negatively portrayed women at least once. Covering the 1990s to now, we analyzed one top rap song and one top country song per five-year period. These songs were highly popular in their respective time periods, providing a representative snapshot of prevalent lyrical themes and content.

Figure 1: Our codebook, with condensed metrics from Rogers’ (2013) study. This codebook served as a comprehensive framework, enabling the operationalization of abstract concepts such as “objectification” within song lyrics.

To ensure consistency, two individuals within our research team independently analyzed each song, providing it with a rating that noted the number of unrepeated lines with instances of Objectification, Gender Roles, and Degradation. In cases of disagreement, they presented their reasoning to a third party who provided the final rating.

Results

The following is an example of how instances of misogyny were identified in different songs. We noticed that in country songs, like “I Like It, I Love It”, there was a tendency for singers to use terms like “little gal” or “girl” to describe women, and this was in line with our interpretation of Gender Roles-based misogyny. We also noticed that in rap songs, like “The Real Slim Shady,” there was a tendency to call women derogatory names, or in some cases, such as in this specific song, reference violence towards women. This was in line with our interpretation of Degradation-based misogyny.

Table 1: These are our final ratings, indicating the number of unrepeated lines with instances of Objectification, Gender Roles, and Degradation. (For instance, O/12 indicates 12 instances of Objectification within the song).

Figure 2: Gender Roles and Objectification present in Tim McGraw’s country song, “I Like It, I Love It.”

Figure 3: Objectification and Degradation present in 21 Savage and Post Malone’s rap song, “Rockstar.”

Figure 4: Bar graph, comparing the instances of Objectification, Gender Roles, and Degradation in Rap vs. Country music.

We found that rap had a total of 120 misogynistic lines, while the country had a total of 47 misogynistic lines. Objectification and Degradation-based sexism were most common in rap music, while Gender Roles-based sexism was most common in country music. This could be due to the differing attitudes towards women in rap and country music circles. Because we understand that the two genres should not be analyzed in a vacuum, their historical contexts should be considered when theorizing why they represent women in such distinctive ways.

In the late 1990s and the early 2000s, rap music saw an emergence of the subgenre, gangsta rap, which focused on the hardships of growing up in the Bronx and the culture produced by that upbringing. Violence, poverty, and criminal activity are all central themes of the lyrics of gangsta rap; thus, it follows that violently misogynistic attitudes could spawn from those topics. Further, because gangsta rap is held in such high regard as a staple of the rap genre, it makes sense that modern rap artists would try to emulate the misogynistic rhetoric of the subgenre.

Country music, on the other hand, does not necessarily have as overtly misogynistic lyrics. Instead, the genre utilizes a more subtle form of misogyny that reinforces traditional, conservative gender roles. In the United States, country music is generally associated with right-wing-leaning, Southern, Judeo-Christian values. As such, many country artists conform to those values in their personal life and lyrics. It follows that country artists would portray women in ways that conform to traditional gender roles, as doing that caters to their audiences and may also reinforce what the artists themselves believe.

Over time, we saw a peak in misogynistic lyrics from 2005-2015, and then the numbers declined. The drop in misogynistic lyrics after 2015 is in line with the timing of the MeToo movement and other 3rd wave feminist efforts to dismantle harmful stereotypes and attitudes towards women. To stay relevant, marketable, and politically correct, male artists likely made an intentional decision to tone down the misogynistic rhetoric in songs.

Figure 5: Line graph, examining Misogyny (Objectification + Gender Roles + Degradation in total) over time in Rap vs. Country music.

Discussion

Through our song analysis, we discovered that both genres contribute to the objectification, domestication, and degradation of women. Rap music flaunts misogyny in its lyrics by calling women derogatory terms and glorifying rough, non-consensual sex and a “player” lifestyle. On the other hand, country music promotes misogyny more discreetly by infantilizing women, focusing only on their attractiveness and sexual appeal, and portraying them as subservient and dependent on men. Despite results indicating that Objectification and Degradation were higher in rap, Gender Roles exceeded in country music. Yet, these forms of misogyny are equally harmful to women, fueling both our prevalent patriarchal system and the cycle of violence against women. The impact of our analysis is solely to challenge preconceived notions about these genres and their deep-rooted association with misogyny, as well as highlight how objectifying music can both reflect and shape our reality.

While we do not want to label a music genre “problematic,” since that is harmful in itself, women are still represented as subordinate to men in rap and country, and we urge listeners and musicians to understand that the messages being conveyed fuel the cycle of female objectification.

References

Adams, T. M., & Fuller, D. B. (2006). The Words Have Changed But the Ideology Remains the Same: Misogynistic Lyrics in Rap Music. Journal of Black Studies, 36(6), 938–957. http://www.jstor.org/stable/40034353

Flynn, M. A., Craig, C. M., Anderson, C. N., & Holody, K. J. (2016). Objectification in popular music lyrics: An examination of gender and genre differences. Sex Roles, 75(3–4), 164–176. https://doi.org/10.1007/s11199-016-0592-3

Grady Smith (2013, December 20). Why Country Music Was Awful in 2013 [Video]. YouTube. https://www.youtube.com/watch?v=WySgNm8qH-I

Lin, R., & Rasmussen, E. (2018). Why don’t we get drunk and screw? A content analysis of women, sex and alcohol in country music. Journal of Popular Music Studies, 30(3), 115-128. https://doi.org/10.1525/jpms.2018.200006

Rasmussen, E.E., Densley, R.L. Girl in a Country Song: Gender Roles and Objectification of Women in Popular Country Music across 1990 to 2014. Sex Roles 76, 188–201 (2017). https://doi.org/10.1007/s11199-016-0670-6

Rogers, A. (2013). Sexism In Unexpected Places: An Analysis of Country Music Lyrics – Office of the Vice President for Research | University of South Carolina. Sc.edu. https://sc.edu/about/offices_and_divisions/research/news_and_pubs/caravel/archive/2013/2013-caravel-sexism-in-unexpected-places.php

Weitzer, R., & Kubrin, C. E. (2009). Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings. Men and Masculinities, 12(1), 3-29. https://doi.org/10.1177/1097184X08327696

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