movies

“Swag Toh Dekho:” Hindi-English Code-Switching in Bollywood Movies of the Last 30 Years

Krithi de Souza, Kara Bryant, Sophia Adams, Medha Kini Bollywood! We know (and love) the films for their grand and magnificent dance sequences, epic love stories, and extra long running times. Bollywood is often referred to as the “Indian Hollywood,” and this Hindi cinema industry has a large fanbase of its own. But how much […]

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Media & Reality All at Once: How ‘Everything Everywhere All at Once’ is doing its best to exemplify our code-switched conversations

Jacqueline Aguirre, Josiah Apodaca, Kaitlyn Khoe, Mason Uesugi, Wonjun Kim Code-switching, or the use of more than one language, dialect, or code in an utterance or conversation, can be a way to signal identity. This study compares two sources of code-switching — conversations from media, specifically Everything Everywhere All at Once (2022), and conversations in

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The Linguistic Portrayal of Social Mobility in Bollywood Cinema through Hinglish

Hashim Baig, Siuzanna Shaanian, Georgia Lewis, Jacob Cook, Christian Atud The rise of English as the global lingua franca has had profound effects on multiple cultures worldwide. One such spot is the Indian subcontinent, especially with the emergence of India from centuries of colonial rule. This paper looks at how Hindi-English code-switching (popularly called Hinglish)

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Unraveling Mean Length Utterances in Romantic Scenes: Action Versus Romance Films

Britney Lam, Iris Lin, Alice Wang, Julia Zhou Romance is a common element across all genres of film. Whether it is an action movie, a comedy, adventure, or drama, romance is often included within the main plot. Films are created with a target audience, such as age or gender. Our research question emerged: how is

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